
Oberon & his playful fairies
This scene from Shakespeare’s romantic comedy depicts the first appearance of woodland fairies vanishing as they dart between trees much to the fairy king Oberon’s amusement. This is followed by a darker scene of vengeful plotting. I picked this cue as it ticks a musical love of mine, working with ethnic musicians from around the globe. When the story takes us to the forest, I wanted the music to follow suit. Wooden bass and treble flutes from South America, percussion from the West Indies, an African marimba, western harp, guitar and strings.
Pools of the Ancient Dead
This cue is from the most recent title in Sony’s PlayStation franchise. MediEvil’s music is a melting pot of gothic fantasy, comedy and horror. For this level I wrote a slow menacing 70s style horror theme performed by orchestra and choir with an action sequence to close.
Freakshow
My favourite comedy track from MediEvil. In the game it's three cues for mini-games set in a carnival that increase in intensity the more whacky the game gets e.g. Whack-A-Zarok, Arrow of Fate and Trebuchet of Terror!
This is the album version that joined all 3 into a fun two minute listen. Enjoy!
Brink
The music for Bethesda’s first-person shooter Brink revolved around a 7-note theme for both factions. “Security” were a well organised police force whereas “Resistance” were freedom fighters with nothing. This was the perfect opportunity to counter the electronic sound of ‘Security’ with an ethnic acoustic sound for ‘Resistance’. Performed by a Tuvan and Soprano vocalist, hang drum, Chinese Violin, a variety of ethnic percussion all supported with an orchestra.
Kung Fu Chaos
I do love writing funk and the Xbox game Kung Fu Chaos ticked that box perfectly. Four ninjas kick and punch their way across poor recreations of sets (deliberately) from films including Titanic and Jurassic Park as a 70s throw back. This excerpt is from my favourite track which takes place across the New York skyline during an alien invasion, the classic UFO design being rather reminiscent of the film Mars Attacks. Funk and disco with the best ending I’ve ever written featuring strings, brass…. and theremin!


